Prompt List for Holidays in Ink (plus other media) 2022-23

Here's the post that many have been eagerly awaiting....

THE PROMPT LIST!

If you haven't yet seen the post with the dates and other details of the Holidays in Ink Challenge, you can find it here.  Please read that first, as it is not repeated here.

The prompts below are an Inspiration Library for when you're stumped for what to draw, or you can do them all, or do none of them. The prompts are meant to be combined in your sketches, not just used individually. Don't get overwhelmed by how many there are; combining them in sketches is part of the challenge. There is no requirement that you do the prompts. The real goal is to finish your sketchbook! 

I will do things a bit differently this year, and skip around in my book from day to day.  You can work on pages over multiple days, and/or multiple pages in one day. You do you. Pack the pages, and fill that book!

I've divided the prompts below into loose categories. Do them in whatever order you wish, according to how much time you have, what you feel like doing, or if you are traveling.

Get Ready for Holidays in Ink (plus other media) 2022-23!

 

It's almost that time! You're invited to join me and a bunch of my friends for this fun, educational, and motivational, annual adventure. We'll combine inks with other media to complete a sketchbook during the holiday season. This post outlines what you need to know in order to play along.

DATES:

Monday, November 21, 2022 - Friday, January 6, 2023

GOAL:

Based on how quiet or hectic your personal holiday season is, select or make a sketchbook that you will easily be able to fill during those dates. When November 21 arrives, start your book. Use some ink. Incorporate other media if you wish. That's it!

SUGGESTIONS:

THE SKETCHBOOK

You do not have to complete a page a day, nor even a sketch every day. Well, of course you could. But I will not be doing that. Personally, I've opted to complete 36, two-page spreads during the 47 days of Holidays in Ink. I found a fabric with ravens in moonlight that I loved, turned it into bookcloth, and made my sketchbook a couple of weeks ago. 

De Atramentis Document Inks -- Lightfastness, Waterproofing, and Other Attributes

Results are in on the lightfastness tests I did of the full line of De Atramentis Document Inks!

You can see the results of the testing of the De Atramentis Document Inks in this post, as well as my comments regarding other attributes of those inks, which I've been exploring during and after the six months of testing. Below is a photo of all the ink swatches before half of each went into the window. It's a combination of the Document inks, some others that Brian Goulet sent me (from Goulet Pen Company), and some fountain pen, drawing, and calligraphy inks that I had here in the studio and wanted to test. This post will focus only on the De Atramentis Document Inks.

Sketchbook Tour - Holidays in Ink 2021-2022, including Diamine Inkvent ...

Here's a flip-through for you of the art journal from the Holidays in Ink Challenge! I'll be back with another post to further discuss the materials I ended up using most in this sketchbook. If you have any favorites among these inks or sketches, I'd love to know!

Diamine Inkvent Favorites - 2021 Red Edition

In spite of an overflowing cabinet of fountain pen inks, I purchased the 2021 Inkvent Calendar by Diamine to have 25 new inks to explore during the Holidays in Ink Challenge. (Twenty-four of them are shown in the image above.) Diamine will be releasing these inks in bottles for individual purchase in early 2022, for those who weren't fortunate enough to snap up one of the collections. This post showcases my personal favorites from the set. And, yes, I have a LOT of favorites!

Holidays in Ink 2021-22 Information and Prompt List

Holidays in Ink 2021-22 is almost here! Everything you need to know is in this post.

DATES: Monday, November 22 through Sunday, January 2 (Six weeks/42 Days)

GOAL: Complete your sketchbook within the specified 42 days, regardless of how many days you sketch. (Select your sketchbook accordingly!) Pages must be filled and must include ink. Those are the only rules. If you wish, you can use some or all of the prompts below, either individually (one per sketch) or by combining them in your sketches (two or more in a single sketch).

SOCIAL MEDIA: There is certainly no requirement to post or share your work, but if you wish to do so, you can use the #holidaysinink hashtag.

PROMPT LIST (optional):

Take several days to do one prompt, or do several prompts in one day, or even a few in a single sketch. Skip around; there is no official order to the list. (If the Prompt List does not appear below, click to see the rest.) 

Holidays in Ink 2021-2022. What's the plan?

Everybody has been asking me if I am planning another Holidays in Ink challenge this year, and the answer is most definitely, "YES!" I hope you'll join me from Monday, November 22 through Sunday, January 2 to complete this challenge. Melissa Fischer is teaming up with me once again to come up with prompt lists that can inspire us and improve our art. 

Your mission, should you decide to accept it, is to complete a Holidays in Ink sketchbook from cover to cover during the dates of the challenge. That's it. You don't have to follow prompt lists nor make your own sketchbook if you don't want to.

If you'd like to play along with us, here's how you can get ready:

• Look at your own hectic, topsy-turvy calendar for the six weeks beginning November 22. According to your schedule/travel plans/family gatherings, etc., and how large you plan to work, calculate how many pages you can realistically fill during that time. (I don't mean a two minute sketch on a page; I mean filled pages, even if it takes a few days to fill a page.) That will be your personal goal for the challenge. Select an appropriate sketchbook based on that information. Make sure it's paper you love, that will handle ink however you like to work. Or you can make a sketchbook, or cut paper to size and use a folder as your "book". Make sure you have a couple of extra pages in the back of your book to test out inks and materials, and a title page or two in the front.
• Compile a list of any additional supplies you'll need, or things you'd like to try that you don't have. Order those now, so you'll have them in plenty of time. Supply chain issues could leave you stranded if you wait till the last minute. Consider doing this with a friend or two or three, and sharing some new inks among you to divide the costs. (If you'd like to check out some of my favorite materials from last year's challenge, you can see them on this post.)

If you've never done bookbinding, this is a great opportunity to take on a bookbinding project before the challenge begins! (Make a small one first to test drive the process.) There are lots of great YouTube videos on bookbinding, with hundreds of options to explore. I especially like Sea Lemon and Nik the Booksmith on YouTube. 

There will be a prompt list posted before the challenge starts, for those of you who would like to work from a list. If you want to be sure not to miss the posts related to this challenge, you can subscribe to this blog by entering your email address on the upper right. You will then receive email notifications of new posts.

I'm doing my paper and materials testing now, and will probably bind my own sketchbook for the challenge, or rebind an existing book. Melissa and I have ordered the new Diamine Inkvent 2021 Calendar, so we will be exploring the 25 brand new inks in that collection, as well as using inks we already have. We're looking forward to lots of linework with fountain pens, dip pens, and even ballpoints (great for travel!), plus wet on wet washes, calligraphy and lettering, and more compositional study. We hope you'll join us! Stay tuned for the prompt lists.

Sketchbook Video Flip Through -- Holidays in Ink Challenge

 

Happy New Year, everybody! I can't believe Holidays in Ink is over. I'm still mentally processing everything from this challenge. Here's a video tour of the sketchbook I created during the challenge.

A note about the figurative works: Except for the dancers in primary colors, they were done during weekly figure drawing Zoom sessions that I do with a few friends. We've been working from master paintings, allowing 20 minutes for each. The figures are therefore a bit more stylized than they would be if we'd been using photographs.

Holidays in Ink Week 5

 

I've been excited to have a go at the Black and White on Toned Paper prompt (Process #6). When working on a toned surface, I nearly always select a warm color or neutral  gray. This time, I decided to pick up the cool colors of sky and water, using a sheet of periwinkle-colored cardstock that has been living in the studio closet for several years. I'm loving the strong contrasts and power of these Notan style sketches. I used the paper color as my midtone value, adding just black and white for lights and darks. I definitely want to do more of these moving forward.

I made Sumi ink this week for the first time, using a Sumi ink stick and stone.

Holidays in Ink Week 4

I can't believe we're more than half way through this challenge, and heading into Week 4. If you're doing the challenge also, let me know in the comments how it's going. I'm glad there are still over two and a half weeks left, since I still have a lot of untapped prompts, and nearly 30 blank pages remaining in this sketchbook!

The sketch above, in bright, primary colors, was the result of several days spent mostly doing monochromatic work. I was DYING for some bright color at that point, so I pulled out my most saturated, brightest watercolors, and gifted myself with a fiesta day of color intensity. Normally I'd do a composite with several different poses, but I loved the image of this dancer, so I sketched the same pose several times, as if it were a dance company chorus, letting the colors mingle and the images float across the page from one to the next. The linework was added after the watercolor dried.

Holidays in Ink Week 2

 

How are you all doing at the start of Week 2 of the Holidays in Ink Challenge? Please let me know in the comments! I began Day 1 on November 24 with the page spread of herons and flamingos above. The first page or two in a new sketchbook is always a bit intimidating for me, so I selected a more familiar subject from the prompt list to begin. I've been wanting to study the leg anatomy of the longer-legged birds, heads of herons, and upside-down beaks of flamingos, so I did some anatomy studies on the page as well. My process prompt was Line Quality. I aimed for longer, more expressive lines, and to avoid chicken-scratchy, short, choppy strokes. (Materials list for all of the sketches in this post is at the end.)

Holidays in Ink Challenge Week 1

 

Yesterday, I panicked! In spite of my posts and preparation so far, it suddenly dawned on me that Holidays in Ink was starting in two days, and I felt totally unprepared. I had no idea what I was going to sketch when the time came, and I didn't want to get sidetracked thinking about that when it was time to sketch. Are you feeling like that too?

So, yesterday I sat down and made a plan for the first few days, using the prompt lists in the Holidays in Ink post. I can always adjust it, but at least I have a plan. Once I did that, I felt 1000% better. 

You can play along with my plan, create your own from the prompt lists on this post, or do something entirely different. Feel free to post your plan in the Comments. Here's what I plan to do:

Holidays in Ink Materials

It's hard to believe that the Holidays in Ink Challenge will be starting in a week! I'm getting so excited about it that it's difficult to stop myself from diving in for a head start.  Grabbing supplies for the project from my studio shelves, drawers, and boxes is part of what's made me so eager. Here are some mouth-watering images of some of the things I intend to savor over the next couple of months. I've added Amazon Affiliate links to make it easier for you to source any of these supplies that you might want to add to your own.

Arteza Real Brush Pens -- Review and Comparisons

 

In preparation for my Holidays in Ink challenge, I've got my eyes open for supplies that might be interesting to work with. That's not to say that I don't have PLENTY right here in the studio, but when I saw this 48-color set of Arteza Real Brush Pens on Amazon Prime Day, my willpower abandoned me! I decided to dive in and give them a test drive, since I love working with ink and brush pens. I did a few sketches and tests with them, along with several comparisons with other non-waterproof inks and brush pens that I'm already using. 

Holidays in Ink, Anyone?

 

Here in the northeastern United States, October is the month when we plein air painters flock outside to capture the very short burst of peak color in the landscape. It's a time I look forward to all year. Not only is it the best color we will get, but it's the last opportunity before colder temperatures drive us indoors. I've always lamented the fact that Inktober happens in October. I love working in ink, but it's the last thing I want to do in October. Every winter, I come up with a personal, motivational studio art project to expand my own horizons, and try to make the most of the days indoors. This year, from Thanksgiving until after New Year's Day, I'm going to do Holidays in Ink. You're all invited to join me if you'd like an interesting art challenge around the holidays.  Here are the basic details:

Transform an Old Book into an Art Journal

Watercolor over thin white gesso layer, calligraphy marker

For many years, at least a portion of my sketches have been done in old books that I've repurposed as sketchbooks. A lot of friends have been asking me about my process for reusing old books as art journals, so this post is for you....and anybody else who wants to know!

The images in this post are from a 9x12" old hardbound music book, so the two page spread gives me a 12x18" painting surface. This size is a bit cumbersome to take out on location, so I have also collaged in some paintings/sketches done on location, or on other types of paper that I wanted to experiment with.

These two facing pages were lightly sized with white gesso. A small plein air painting was collaged 
onto the left side. Watercolor and gouache were used to paint the Red-winged blackbirds from photos 
I took at the scene, and capture the feel of the marshy location. 

I generally start with a well-constructed, stitch-bound book that can open completely flat. I like books that are more than just text, contain some kind of graphic content, some blank areas, and do not have glossy paper. Although it's nice if the pages are thick, they don't have to be. The book can be hardcover or softcover. You can also use these steps to transform a traditional sketchbook into something that can accommodate heavy media use. So far I've used mostly hardcover books because I put them through a lot of abuse! Choose a size and format that will work for you. Is it for studio experimentation, or will you want to carry it around? Page size, book weight, paper thickness, content, and number of pages are all critical factors.

Watercolor, applied directly onto the pages (no sizing)

You might have some great, old books lying around the house. If none match exactly what you're

Megasketch Monday -- The Long, Meandering Mural Sketch (13x44")

Pentel Pocket Brush Pen filled with Platinum Carbon Black ink, 13x44" mural drawing

Here's a fun challenge for you Megasketchers. One day, I wasn't really sure what I wanted to draw. I felt like working from nature, or nature references. I wanted to do something creative, and not just copy a reference. I wanted to force myself to go right in with high contrast and ink, and for the sketch to be able to evolve.

Megasketch Monday -- Drawing Trees

Gouache on black paper

Painted from life in Trish's back yard

For landscape painters, being able to capture the character of a tree, or the silhouette of a distant tree line, is an important aspect of making a successful painting. Project Megasketch gifted me with ample time to study many different ways of drawing and painting these beautiful and graceful living structures. Toward the end of the project, I combined what I'd practiced with some experimental approaches. I hope this post inspires you to push forward with a favorite subject of your own to develop skills and style. It doesn't have to be trees!

Ink and wash, from one of my own photos

Some I sketched from my own reference photos, like the unique tree (above) that resides at the Bronx Zoo. I tried to keep in mind what I'd learned about tree contours in the time I'd spent with the online

Lines, Ellipses, Perspective, Cross Contours, Bugs and Animals, Oh My!

One of the most important goals in my 600-page Project Megasketch was to develop line quality, and move away from chicken-scratchy type sketches that destroy the flow of beautiful lines and graceful forms. It's difficult to place a line exactly where we want it as it curves around a form, or moves straight across the page.  We compensate by trying again, and again, and again. What we end up with is a hatchet-job of a sketch, created with lots of small lines in an attempt to correct what we didn't do right in the first place. Even if one of those many lines is correct, the sum of the parts is not pleasing.

I searched online to find a process that would lead to an improvement in the quality of my line work, and came upon Draw A Box.  I think it's one of the best free resources for drawing on the internet. Don't miss the opportunity to take advantage of it! If you've decided to take on Project Megasketch, I'd highly recommend that you make it part of your Megasketch journey.

You may get tired of drawing lines and ellipses after several days of it, but the eventual payoff is huge. Don't skip over it. I stopped counting the pages toward Project Megasketch that I spent on the lines and ellipses because there were so many of them. I found them invaluable as warm ups. A couple of months later, I pulled out some vases, pots, pitchers and bottles to sketch. I wanted to see if it helped as much as I hoped. I found that I could draw them directly with ink in just a couple of minutes, and even if they weren't perfect, the improvement in my ellipses when applied to drawings was dramatic.