Sketching at Kaaterskill Falls

(Click image for a larger, clearer view.)

A few days ago, I hiked up to the base of Kaaterskill Falls with some friends for an hour or so of sketching. I had previously done a multi-layered monoprint across this two page spread in my Stillman & Birn Zeta hardbound book. The little picture area borders were printed at that time (and later embellished with markers), so I used them to make vignettes of scenes at the falls. The first one, on the upper left, is the grand view of Kaaterskill Falls, which is the tallest waterfall in New York State, and appears in many Hudson River School paintings. The little round sketch to its right is a rock study. Rocks give me a wonderful way to examine how value and color change as the form turns toward and away from the light. The third little sketch (the oval) is my friend Athena, who was sitting next to me painting the falls in watercolor. The last tiny sketch is unfinished, because everybody was packing up to go at that point. I tossed all my stuff into my backpack and we hit the trail! These were all done in gouache over the acrylic background.

When Ideas Are Brewing

When ideas are brewing in my head, it often takes awhile for them to emerge as finished paintings. I often play with those ideas in my sketchbook at night, or in a small format on loose pieces of paper. I had some color ideas I wanted to explore last night, so I pulled out my little half-pan watercolor travel setup for these, and used squirrel mop and sable brushes.

I usually keep a few pieces of good rag watercolor paper taped to boards and some are subdivided for sketches like this. Setting up a sheet this way is something I got from a workshop I took with the amazing David Taylor. He always advised doing these small thumbnail sketches on the side of the page in a small taped-off section. That way you can test drive your ideas (a few times if necessary) before taking them to a larger version. It speeds the process along, and you can immediately apply what you learn to the next one. I was torn between working in my sketchbook and working on the rag paper. (I love the way a hardbound sketchbook keeps all my ideas from wandering away!) But in this case, I needed to see how the colors would blend on rag paper. 

Technically, I'm not too pleased with these. However, I am happy with the way the colors are working, and I think with some more practice I'll be able to get what I'm after. Then I'll scale them up and start exploring the idea with assorted materials and techniques. One thing I've had to accept over the past few months is that the way I'm wanting to work with watercolor and acrylic requires a larger palette for those media for wash mixtures. It's always a juggling act to try to determine how much stuff we can take out painting on location, considering the need to pack light and carry it all!

Kaaterskill Falls from the Top

8.5x11" across a two page spread of a 5.5x8.5"

Stillman & Birn Beta Hardbound Sketchbook

Ink and Watercolor

On the way back from the Inspiration Point hike that I posted about yesterday, we detoured to the top of Kaaterskill Falls, where you can sit alongside Lake Creek just where it plunges over the 270 foot waterfall. There are dramatic distant vistas of the mountains from up there, plus beautiful rock outcroppings and intimate cascades. It was one of the favorite spots of the Hudson River School artists, and it's one of my favorites as well! They have done quite a bit of trail work there recently and the footing is vastly improved from the top of the mountain down to the top of the falls.

Hiking the Old Stage Road

7.5x15" across a two page spread in a

custom Arches 140# Rough sketchbook

These sketches were painted during another one of the hikes I took with my husband this summer. We've always wanted to hike the old stage road up to the Catskill Mountain House site. It's a strenuous walk up the steep slope of the eastern escarpment of the mountains. We thought we'd be smart and leave one car at the bottom, drive up to the top where there's a parking lot, and walk the road downhill instead of uphill! We walked down leisurely, figuring we had all the time in the world before meeting friends later for dinner. As we arrived at the bottom, I realized that I'd left my car key locked in my husband's car at the top of the mountain! We had no choice but to turn around and walk all the way back up to his car. Needless to say, I don't think I'll ever make that mistake again when hiking point to point!

Golden Airbrush Paints and Silverpoint Ground --- Who knew!

Golden Airbrush Acrylics on Silverpoint Ground
8.5x11 across a two page spread in a Stillman & Birn Beta (180 lb) hardbound sketchbook

A few weeks ago I went to the Golden Artist Colors factory for the day. In addition to other things, I was able to spend a few hours with tech staff to discuss some things I've been trying to achieve with acrylic paints, and possible alternative solutions to my mission. One of the things I was able to play with that day were the Golden Airbrush Paints and Silverpoint Ground. When one thinks of painting with brushes, Golden Airbrush Paints are not what come to mind! (Neither does painting on Silverpoint Ground, or using Silverpoint Ground to reclaim whites in a painting.)

Well, I was smitten with the possibilities of these paints! First of all, they are very highly pigmented, yet already in an ink-like consistency. This gives me an ideal solution to achieve watercolor-like pigmentation without the pigment disappearing on me. Furthermore, the Airbrush Paints have something that the Golden Fluids do not: retarder! Yep, the retarder is already added to the paint, so it stays workable longer on the paper, and can be lifted before it sets if you work quickly.

The down side to working with these has been finding an easy way to use them on location while out hiking. I've been experimenting with a few different ideas as I've carted them around. This sketch of Kaaterskill Falls was done on location in about 40 minutes. The pages were prepared in advance with Golden Silverpoint Ground. I applied two coats, drying with a hair dryer in between. The idea was that by sealing the surface, it would be easier for me to make use of the lifting capabilities of the Airbrush Paints. On location, I coated the entire sketch area with Transparent Red Oxide mixed with some Airbrush Medium. Then I used a piece of paper towel, sometimes dipped in water, to pull out my lights, as if I were doing an underpainting in oils. I continued to work transparently for awhile, adding darks and pulling out lights, then used more opaque paint toward the end. I used a little Silverpoint Ground for some highlights and light, opaque color mixtures. It has a very heavy Titanium Dioxide content and worked great! I'd put about 5ml into a small empty vial from an ink sample.

Transporting paints in a watery consistency has issues for sure. For one thing, I can't use the same palette that I can for oils or acrylics, nor any flat or disposable palette, for that matter. I ended up using two small, rectangular watercolor palettes that I taped together on one end so it could fold in half. I put velcro on the outside to affix it to my lap board with the sketchbook. That's worked out pretty well so far. I bring several of the small airbrush bottles of color with me, and pour them into the palette on location. Cleanup is a serious mess, and remains the biggest problem for me to resolve when out on location.

Here's a photo of the scene with my sketch. Unfortunately the sketch was in shadow and the scene in light, so it's a bit hard to see the sketch.

Expansion of the Hudson River School Art Trail

8.5x11" across a two page spread of a Stillman & Birn Alpha Hardbound sketchbook

Platinum Black Carbon Ink and Watercolor

Image can be clicked to enlarge

On June 2, the official announcement was made about the expansion of the Hudson River School Art Trail to include many new sites. Kevin Avery, from the Metropolitan Museum of Art, gave a wonderful lecture at the Thomas Cole National Historic Site about these official Art Trail locations as well as other spots where the Hudson River School Artists did some of their most famous work and their plein air studies. (Of course I couldn't resist sketching during the lecture.) Click here to read more about the Hudson River School Art Trail. You can download maps and information on the website.

Kaaterskill High Peak from Across the Beaver Pond

This is my second-to-last sketch in my sketchbook for the Sketchbook Project 2012. It's a view from across the beaver pond behind my house, with Kaaterskill High Peak in the background, and the fall foliage reflecting in the water. There is a high bank there, shaped like a peninsula, with a beautiful grove of pine trees. Walking on the several inches of pine needles that have been accumulating for who knows how many hundreds of years, and smelling the pine smell, is really a magical experience.  This was painted on location with gouache. It is 7x10" across the two page spread in the sketchbook. I didn't date stamp or write on this entry yet, but I'll do so before sending in the book. All sketchbooks for this project will go on a world tour, and then be housed permanently in the Brooklyn Art Library in New York City.

Hiking to North Point

I'm still trying to catch up on photographing sketches and paintings and getting them posted! It's been hard to get that done on vacation, but it's quickly approaching "Back to Work" time! This watercolor sketch was done on a hike to North Point in the Catskill Mountains. North Point offers 270 degree views facing south, east, and north. This is the south-facing view, which overlooks North South Lake and the old Catskill Mountain House site. We were hoping for better visibility, but it was quite overcast that day. The trail was wet, rocky and slippery almost the entire way. Next time I'll definitely go when the trail is dry, but of course we were rewarded by the fabulous location at the top.

Falls along Kaaterskill Creek

My husband and I went exploring along Kaaterskill Creek. I brought watercolors and my Fabriano Venezia sketchbook. We came upon a very popular swimming spot along the creek with some small waterfalls and striking rock formations. It was a great place to spend a little time. I found an ideal place to sit on a rock and take in the scene.

Here is the sketch after I got it home and did the date stamp and writing:

Boulder Rock and Kaaterskill High Peak in the Catskill Mountains

This sketch for The Sketchbook Project 2012 features Boulder Rock, with a view of Kaaterskill High Peak across the clove in the distance. I hiked there yesterday with my husband, but the weather turned and I didn't have a chance to paint the scene on location. Fortunately, I took a photo before the light got bad, and painted it from the picture. I used Golden Fluid Acrylics, and I do like the way they are working on this paper! I only have two, two-page spreads left before this sketchbook is finished. I'm really happy to be able to share so many views of the beautiful Hudson River Valley and Catskill Mountains when the book goes on the world tour next year!

View from the Catskill Mountain House Site

Before 1965, the Catskill Mountain House sat upon this rock ledge overlooking 60 miles of the Hudson River and the valley floor below, all the way to the Berkshire Mountains of Massachusetts. Visitors to the Mountain House would journey up the Hudson River by steamboat in the 1800s, and disembark in Catskill for the ride up to the mountains by horse-drawn carriage, and later by train. As modern transportation enabled vacationers to go further from the cities, the Catskill Mountain House fell into disrepair, and was taken down and burned by New York State in 1965, after they acquired the property. It remains one of the most dramatic views in the Hudson Valley, and I felt my sketchbook for The Sketchbook Project 2012 tour wouldn't be complete without it! It's brutally hot up on that ledge in the summer, but we had a relatively cool day and took advantage of the opportunity to paint there.

Blazing Fields and Glowing Sunset from Olana

I spent a couple of days painting at Olana, mostly from this old carriage road called "Ridge Road". In Frederic Church's time, it was one of the main roads on the property, and he did many paintings from this location. Some sections are very overgrown, and we no longer have all of the magnificent Hudson River vistas from Church's days, but some areas have been cleared to let us see how it used to be. This is one of those cleared areas overlooking the Hudson, with the Catskill skyline and glorious colors in the sunset. Frederic Church did a famous painting very close to this spot, but that view is now closed off by foliage.

Constitution Marsh, West Point, and the Hudson River from Boscobel

7x10", Gouache
Sketch for The Sketchbook Project 2012, Brooklyn Art Library and World Tour

No sketchbook of the Hudson Valley would be complete without including the amazing overview from Boscobel Restoration in Garrison, New York. The vista showcases the Hudson River as it winds through the mountains of the Hudson Highlands, with Constitution Marsh in the foreground, and the massive buildings of West Point Military Academy along the opposite shore. A nice tugboat and barge even came by just as I was finishing up, so I was able to include some river traffic in the sketch.

Like last time, I got so involved in composing the scene and painting that I forgot to orient the sketchbook before I started. I ended up with another upside down sketch! I think my viewers will be dizzy by the time they arrive at the back cover of my sketchbook!

Sketching at Plum Point

The Hudson River from Plum Point through the Hudson Highlands. Painted on a moody day for The Sketchbook Project 2012.  To see my oil painting from here, visit my website, Hudson Valley Painter.

Pomeroy Falls

Today I went to Pomeroy Falls in Platte Clove, and did a watercolor sketch for The Sketchbook Project 2012. It was an absolutely beautiful day out there! I'll go back soon to do an oil painting, perhaps from a different vantage point.

Here's a photo I took holding up the sketchbook, with the scene in the background.

There are 15, two-page spreads in the sketchbook they send for this Brooklyn Art Library project, so I'm about 30% done already. I'm thinking that I just might be able to finish before the bitter cold weather sets in, which would be great! I'm a total wimp when it comes to painting out in the cold.

Hiking in Kaaterskill Clove to Inspiration Point

My husband and I hiked out to Inspiration Point, which overlooks Kaaterskill Clove to the east, west and south from South Mountain in Haines Falls, New York. This is the view facing west. When visiting these locations in the northeastern part of the Catskill Mountains, it's easy to understand why the Hudson River School Painters made this area their home base. The land speaks to you here, and you can feel the presence of all who came before you and admired its beauty.

This is another sketch in my "Travel With Me" book for the Brooklyn Art Library's "Sketchbook Project 2012".