Another Card for Mom

 

I've been sketching quite a bit lately, but haven't had enough time at the computer to get all the images photographed and posted! Today is my Mom's birthday. A few days ago, I went out and picked daffodils, and painted them in gouache on a card I made for her with some Aquarius II paper. It's a tri-fold, primed with diluted acrylic paint and some sprayed iridescent paints.

If you haven't read the recent post by Robert Genn about the importance of sketches and small studies, it's a great read, as well as a reminder of the important role this kind of work plays in the creative process and artistic development.

Wedding Flowers

My first big event of 2012 was my niece's wedding! She got married on New Year's Day, so we spent a few days in Maryland to take in the festivities. The table bouquets were white hydrangeas, assorted yellow flowers, and peacock feathers. I got to take one of them back to the hotel with me and sketched it that night during the first half of the Giant game, while the guys cheered on our home team. Even I gave in and watched the second half. Some things are a requirement!

The feathers had so much sheen to them that after I finished painting, I mixed up some of the Schmincke dry gold gouache and added some sparkle to them. Unfortunately, that isn't visible on the photo. However, you can see the coppery shimmer on the border from the iridescent acrylics that I used to prepare the page ground and border.

Inks used: Private Reserve Copper Burst and Private Reserve Sepia
Pens: Pilot Parallel 1.1mm, Pilot Petite
Winsor Newton and Daniel Smith watercolors
Winsor Newton, Schmincke and Holbein gouache
Pages prepared in advance using Golden Fluid and Golden Fluid Iridescent acrylics, and F&W Acrylic Inks
Painted across a two page spread in a 5.5x8.5" Stillman and Birn Hardcover Alpha sketchbook

Returning to Adams Fairacre Farms

I had so much fun the last time I sketched at the new Adams Fairacre Farms in Wappinger that I couldn't wait to get back there for Round 2. They must have sold a huge number of poinsettia plants, because the huge tree of them that I sketched last time was gone!

I started out the morning in their greenhouse again, sketching with Noodler's Sequoia ink and watercolors in a fine-nib fountain pen, in my Stillman & Birn Alpha 5.5x8.5" hardbound book. Because of the fairly intense color of the prepared background, I ended up switching to gouache to finish off the sketch. I always make sure to have gouache with me for emergencies like this. Since I like to travel light, I made a tiny gouache kit from a mini Altoids container and Sculpey clay.

 The holes in the clay were made with the back of a pencil. (That and the quarter should give you an idea of how tiny this is!) I was able to make 15 holes for colors. Since the Altoids tin is metal, I baked the whole thing in the oven, Sculpey, tin and all. Once it was cool, I coated the inside with a few coats of Golden GAC 100 to seal it. I'm not sure if that step was necessary or not, but since I had it on hand, I went ahead and did it. I've been using it for several months now, and it's really come in handy on a number of occasions.

The smaller text on the page was written with a 1:1 dilution of the Sequoia ink in a different, broad-nibbed pen. (A Kaweco Sport) Sometimes it just seems too saturated to me for writing, and I happen to like the more olive-like green I get when I dilute it. You can see the difference in the value and color between that green text, and the thinner, darker green of the lines for the hanging baskets of plants. The page title was written with a 2.4mm Pilot Parallel, using a red Pilot ink cartridge. Having a red calligraphy pen all set to go has turned out to be a good thing during the holiday season!

Signs of Spring

Gouache in my 10×10″ kraft paper art journal

Text: The forsythia came and went before I even had a chance to paint it this spring. I only saw my beautiful hyacinths blooming in the distance from the studio window! I went outside the studio this morning and cut these lilac blooms, determined to capture some of the essence of spring from my yard before it was too late! Hopefully the cherry blossoms at Boscobel will still be blooming tomorrow.

Apple Blossoms and Alyssum

Whenever I’d drive along farm roads in spring, I always admired the bright yellow fields of Alyssum. Imagine my surprise, when spring came along, to find I now have my own field of them here at the new house! I hope I get to paint them before the flowers die. I snipped one of the last of the apple blossoms to paint.

Here’s my sketching stuff out on the porch. I did the little gouache sketch of the apple blossoms first, then put the alyssum into a small pitcher and painted that.

Hydrangea Sketch

10×10″, Gouache sketch of a hydrangea for a future painting, coming soon!

My husband adores these colors. I’ve prepared a panel with a lighter, scrubby, warm yellow background upon which I’ll paint the blue vase and violet flowers, as my second in this little series of floral works for Valentine’s Day.

Rose Sketch for a Future Painting

10×10″, Gouache in kraft paper sketchbook
Oil/acrylic painting of this sketch coming soon…Stay tuned!

I am having way too much fun with gouache sketches on this paper! I am thinking of ways to achieve this look with oils/acrylics on a more archival surface. I think I’m going to give it a whirl for tomorrow’s daily painting.

Edit: To see the final painting of this subject, click here.