Square Sketches

I haven’t been able to let go of my Fabriano Venezia book yet! There are a number of photos I’m considering working into square format paintings. I decided to test drive some of those compositional ideas as watercolor sketches today.

Here is a photo with my setup. I used a little squirrel mop travel brush for the wash stages on all four sketches, and then dried the pages with a hair dryer. Then I went back with Escoda sables to finish them.

Below is a clickable photo that will show a larger, clearer image when you click on it:

Soon I’ll have to make the difficult choice of which one to do first as an oil or acrylic painting on a panel. Anybody have a favorite?

Fabriano Venezia Sketchbook Journal

I recently got this Fabriano Venezia journal and have been looking forward to dipping into it. New journals are always a little intimidating until a few pages are underway. The nicer the paper, the harder it is to get started in them! Leaving the first page blank often helps, so I skipped over that one and filled the next two pages with some watercolor sketches.

This journal is stitch bound, with very thick pages that take ink and watercolor quite well. I’m impressed with it so far, and looking forward to trying some other mediums with it, though I suspect it will remain mostly an ink/watercolor journal. It is currently at the top of my “favorite journals” list! One negative thing worth noting is that the journal does not open as flat as a Moleskine does. It’s so easy to draw/paint across two pages on the Moleskines; not so much on this one.

In the photo above, you can see my little half pan box. This is actually only supposed to contain 12 half pans, with the center section empty for a travel brush, but I reconfigured it with 18 half pans and a whole pan that holds my little piece of sponge. When doing these quick sketches, I like having lots of colors. The two brushes shown are Escoda sable travel brushes. They come apart and the brush can go inside the gold sleeve, protecting it for travel. Last time I traveled with them though, they drove the security people crazy on the Xray machine!

Here’s an image that you can click on to enlarge it and see the pages better:

The butterfly was sketched from a New York Times article on Bladimir Nabakov’s butterfly research, and the little still life is from a sketching Scavenger Hunt posted to the Artwork from Life forum on Wetcanvas.

Painting Shades of Gray in Devil's Kitchen

I went back to Devil’s Kitchen in Platte Clove, this time to capture some of the strong contrasts in the morning light. Remember this little container, filled with Golden’s Neutral Gray Heavy Body Acrylics? The lid supports my Shades of Gray watercolor sketchbook, and having the premixed shades and tints has turned value sketching from a chore into one of my favorite ways to paint.

Here’s a picture of just the sketch. You can click it to enlarge it. The actual size is about 6×9″.

The deep chasm in the right foreground is called Hell’s Hole. My goal was to take the viewer along that chasm and under the bridge, to the waterfall beyond. Although I’d not planned to do a color version of this scene, now that I’ve seen it in black and white, I really want to go back and do it again in color.

If you click here, you can see this bridge painted in oils from the other side on my Hudson Valley Painter site!

Road Beside the Red Barns --- Monochrome Value Study

This is another entry in my Shades of Gray, monochrome value study book. It was painted en plein air while out sketching with my friend Karen the other day. I’d already done the full color sketch of the red barns (which I posted a couple of days ago), and was waiting for Karen to finish up her painting. That was the perfect opportunity to pull out my container with the acrylic values already laid out and look for a second composition. I loved this curvy road going off into the distance, and it presented me with a wide range of values to work with.

Sketching Barns

I went out painting with my friend Karen on Friday, and decided to do some sketches rather than a focused effort on a single painting. This was my first sketch of the day — beautiful barns up on the hillside that we’d been admiring on our painting outings for quite some time. This one was done with Golden Fluid Acrylics in my 10×10″ Kraft paper sketchbook.

Painting Black and White Oils

6×8″, Oils on sealed, primed hardboard
Email me at JamieWG@aol.com if interested in this painting.

The little monochrome painting above was done at a pond up the road from me that has wonderful mountain views. I asked for permission to park and paint there, and the gentleman in the driveway said that his wife was also an artist, and that I should go knock on her studio door and say hi! Well, I did that and made another new artist friend in the area! It turns out that she will be in a show with me next weekend. Such a small world! Her studio overlooks this dramatic view, and she had an especially beautiful winter scene that she’d done from the window.

I used the opportunity to do a monochrome painting, then a limited palette painting. I’ll go back again and do a full color version.

In addition to the value paintings I’ve been doing in acrylic, I have an oil painting setup to do monochrome studies easily and quickly in oils. I use the Judson’s Guerrilla Painter 6×8 watercolor box, Gamblin Light, Medium and Dark Portland Grays, plus Ivory Black and Titanium White. I also keep three colors in here for limited palette studies: Transparent Yellow Oxide, Transparent Red Oxide and Ultramarine Blue. (You can click this image to enlarge it a bit.) It has a cover, and fits right inside my 6×8″ Guerrilla pochade box.

Painting Monochrome at Home --- Shades of Gray Number 3

Golden Neutral Gray Heavy Body Acrylics in a watercolor sketchbook

I’m starting to really love doing these monochrome studies. They are such wonderful practice for improving the way we see values. Having the pre-mixed Neutral Grays has made all the difference in the world, and has turned this from a tedious chore into a fascinating adventure.

I sat outside in the yard in a comfortable chair after standing up and painting all morning, and painted this study under the shade of my favorite tree, with a cool breeze blowing.

Monochrome Morning in the Back Yard

Continuing on with my monochrome value studies in acrylics, this one was added to my Shades of Gray sketchbook this morning. This was also done with the Golden Neutral Gray acrylics plus black and white. I think I’m starting to really enjoy these, much to my surprise!

Shades of Gray --- An Approach to Value Studies

I set out Golden Heavy Body Acrylic Titanium White, Carbon Black, and all the Neutral Grays in between that Golden makes in a plastic container with compartments and a seal. Value studies are so important, but premixing all those grays ahead of time can be cumbersome enough to put it off time and time again. Now I have no excuses, and this container makes it so easy to pop the lid and paint at a moment’s notice.

This book is about 6×9″. I’m reserving it for my value studies in acrylic, and have dubbed it “Shades of Gray”.

Here’s the first page. The cow was painted from a photo I took on Friday. The little landscape was painted here by the lakeshore this morning.

Signs of Spring

Gouache in my 10×10″ kraft paper art journal

Text: The forsythia came and went before I even had a chance to paint it this spring. I only saw my beautiful hyacinths blooming in the distance from the studio window! I went outside the studio this morning and cut these lilac blooms, determined to capture some of the essence of spring from my yard before it was too late! Hopefully the cherry blossoms at Boscobel will still be blooming tomorrow.

Betsy's Bouquet

Click image to enlarge:

10×10″, Golden Fluid Acrylics in my kraft paper art journal

Text:
Betsy’s Bouquet
Thanks to friend and neighbor Betsy Ryder, I got a tour of Ryder Farm today, complete with an invitation to come back and paint anytime. Betsy picked flowers as she walked with me from one beautiful scene to another. She showed me the old farmhouse, which dates back to 1795. Stepping through those doors was like stepping back in time, with old, original furnishings and plein air paintings on the walls done by an ancestor named Ferris.

Trees and flowers there are just beginning to bloom. We checked out peas just sprouting, fruit trees, meadows being converted to hay fields, and views of Peach Lake from the vantage point of the farm. Betsy presented me with the beautiful bouquet after the tour!

Sketches for the Scavenger Hunt

Click image to enlarge:

These Wetcanvas Scavenger Hunts are so much fun that I can see how participants could become addicted. I enjoy participating whenever I can. This page was done with a Lamy Safari extra fine ink pen, filled with Noodlers Bulletproof Black Ink, and Winsor Newton watercolors. My dog was Not Happy that I took his squeaky toy away in order to paint it!

If you’d like to check out the other entries to the Scavenger Hunt or participate, click here. Below is a photo of what I was working with. (You can click to enlarge this image too.)

Acrylic Sketch of Leigh

20×16″, Golden OPEN Acrylics on canvas covered hardboard
Email me at JamieWG@aol.com if interested in this painting.

I was eager to work in a medium that would enable me to layer quickly today, so I grabbed my Golden OPEN Acrylics and a 16×20 canvas covered board for open studio portraiture. I left most of my acrylics upstate, so had to make due with what I had: Cadmium Yellow Primrose, Pyrrole Red, Transparent Red Oxide, Ultramarine Blue, Carbon Black, and Titanium White.

These paints are just sooooo much fun. I prefer them on paper or smooth hardboard rather than canvas, so next time I’ll have to remember to size some watercolor paper or matboard before I go.

Leigh was a really great and beautiful model. We’ll have her for another sitting in January, so I’ll get to sketch her again!

Monochrome Oil Sketch of Troy

20×16″, Oils on Canvas covered hardboard
Email me at JamieWG@aol.com if interested in this painting.

You may remember two weeks ago when I sketched Troy in pastel. We had no open studio last Thursday since it was Thanksgiving, but today I went back, oils in hand, for another sketch. I used Rembrandt Ivory Black, Gamblin Torrit Grey, and Winsor Newton Artist Titanium White with a little Winsor Newton Griffin Titanium White mixed in to speed drying. I also used Weber Res-n-gel medium.

Troy will keep the same pose for three weeks, and most of the artists are keeping their spots and working all three weeks on the same painting. I waited until after the posing started for any returning artists to reclaim their previous spots before setting up in a new position, but go figure…. (Yes, you know what’s coming!)… As soon as I got set up, someone came in late and said, “You’re in my spot!”

I didn’t really care where I painted from; I just didn’t want to miss the posing time. There is never enough time with the model! Anyway, this ended up being about two hours of posing time altogether. I always seem to have difficulty getting the head situated exactly where I want it on the canvas. This time, I really took my time with placement and it ended up right where I wanted it to be! Amazing!

More Bannerman Island Sketches

These sketches were done on October 21, along with the one I posted that day, although they are displayed out of order. The sketch posted on the 21st is #1. The post above is #3. Below is #2, and the last is #4–my last one of the day and a real quickie.

I didn’t get a chance to finish up the writing and take the pictures until today. Normally I also type out what I’ve handwritten, but with my hand/arm in a cast, it is a long and painful process to do either (not to mention drawing and painting!) Once I’m out of the cast, I’ll edit this post to include all the text.

Sketching on Bannerman Island

10×10″, gouache in my kraft paper sketchbook

I had the good fortune to spend today out in the middle of the Hudson River on Bannerman Island, sketching the castle ruins. Because of my recent hand surgery, I couldn’t carry much gear. I just brought my sketchbook and some gouache. This was my first sketch of the day. The tide was very low, and the boat captain told us it was still going out. So, I walked out on a spit of land that jutted out into the river, and provided a great view looking back at the castle. Apparently the captain was wrong; the tide was coming in, not going out! It wasn’t long before my friend Laura called out to me, “Oh my gosh, Jamie, you’d better move right away!” I’d been so focused on my sketch that I didn’t notice my pathway of land had nearly vanished! I quickly threw my gear into my bag and walked back to land. I had to wade part of the way. When I’d reached shore, the spur of land was entirely underwater. I didn’t get to finish my sketch, but it’s a good thing I left the spot before it was done!

Palenville Overlook --- Gouache Sketches from the Catskill Mountains

Gouache sketches, 11×8.5″

Handwritten text:
Palenville Overlook, Sept. 26, 2009

Today was one of those priceless, crisp fall days, perfect for any outdoor activities. My husband and I opted for a hike to the famous Palenville Overlook.

From this spot looking to the west, we could see Kaaterskill High Peak and Roundtop Mountain, as well as the cliff called “Point of Rocks” or Indian Head. I could see sections of Route 23a snaking through the trees 1,100 feet below.

Turning 180 degrees to the east, the view was no less spectacular. We could see the town of Palenville below, and the Hudson River stretching to the north and south, with the Berkshire Mountains way off in the distance.

The colors were showing the emergence of fall. We walked to the old boarding house site and to Point of Rocks before heading home.

Visiting Thomas Cole

3×5″, ink and watercolor on cp watercolor paper
Email me at JamieWG@aol.com if interested in this painting.

I am finally back from my painting trip! I’ll be posting those paintings during the week as they are photographed and finished. Some were completed on location, while others need some studio work to finish them up. I wanted to post them as I went about my trip, but time and imaging software didn’t allow! Much as I wanted to take photos of the paintings and scenes like I did at Boscobel, I completely forgot the rest of the time! I’d get back to the house and realize I never took out my camera while I was painting. It seems I get that one track mind once I have brushes in my hand.

I took a trip to Cedar Grove, the Thomas Cole Historical Site, with a group of 11 painters last week. I’d done the house tour before, and commented here that I saw the River Views show there a few weeks ago. But the show was so wonderful that I was happy to be able to see it again with so many of my plein air friends. Visiting the home of the father of the Hudson River School is a pilgrimage that I like to do from time to time.

The day started out overcast and drizzly, so most of us just sketched rather than setting out all our equipment and not being able to pack up fast in a downpour! A few of us sketched the Thomas Cole house together from the same angle, sitting side by side. Here’s my version.

I’m using an upgrade of my image editing software, which sizes images differently than the previous version. I hope this image comes out large enough to see!

Apple Blossoms and Alyssum

Whenever I’d drive along farm roads in spring, I always admired the bright yellow fields of Alyssum. Imagine my surprise, when spring came along, to find I now have my own field of them here at the new house! I hope I get to paint them before the flowers die. I snipped one of the last of the apple blossoms to paint.

Here’s my sketching stuff out on the porch. I did the little gouache sketch of the apple blossoms first, then put the alyssum into a small pitcher and painted that.

Afternoon at RiverWinds

Click sketch for a larger, sharper image:

10×10″, gouache in my kraft paper sketchbook

The Hickory Tree

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10×10″, Cretacolor sepia and white leads in my kraft paper sketchbook

The Village of Falling Waters

Click painting for a larger, clearer image:

10x10", gouache in my sketchbook

South Mountain and the Catskill Mountain House

Click to see a larger, clearer image:

10×10″, gouache in my sketchbook

Home Sweet Home

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10×10″, gouache in my sketchbook

Good Things Come in Small Packages

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10×10″, Winsor Newton and Holbein gouache in my sketchbook

Text:

Good Things Come in Small Packages
Feb 07 2009
What’s in the Box?

Few things are as much fun for an artist as that brand new box of art supplies waiting on the front doorstep when you return home. Today I was surprised by this box from Dick Blick that arrived two days early!

Inside were kneaded erasers, some Golden mediums that I’m running out of, plus a few new things to try, like these tubes of Holbein gouache. I got Viridian, Cobalt Blue and Cadmium Yellow Orange to round out my gouache assortment. There was also a great deal on Simmons Titanium brush sets, so I’m trying some of those too.

Landscape Sketches

10×10″, Gouache in my kraft paper sketchbook

As you can see, I’m still having way too much fun with gouache in my new sketchbook. I know the text can be difficult to read when I post these pages from my sketchbook. Here’s what today’s page says:

It’s not often that I paint from photos, and it’s even less often that I paint from photos I didn’t take myself! However, this weekend’s Wetcanvas WDE (Weekend Drawing/Painting Event) had some that I just couldn’t resist. Seeing them here now in gouache makes me wonder if I should have painted them in acrylics or oils on a more archival support, or at least so they could be taken out and popped into little frames. Maybe I’ll do another version of these.

Seeing how these gouache landscapes look on this paper makes me think that this could be a fabulous way to work en plein air. I did both of these with only a single, round synthetic brush and a pre-filled Mejillo palette. Pre-cut Canson boards, or other archival matboards with a a similar color to this, would also be lightweight and easy to travel with. They dry instantly, and could be stored in a plastic zip-lock bag for protection.

You can click here to see the reference images uploaded by Wetcanvas member “Upnorthtim”. You can see that I made a lot of changes to the photos in content and composition. Sometimes I do stay more true to a photo, but I never hesitate to change elements, leave things out, or move them around to create my own vision, or to change color and sometimes values. It’s where and how we use that artistic license that creates our individual styles and preferences.

Every Friday, a Wetcanvas member is host of a Weekend Drawing Event in which they upload 16 photos. Members have a week to create art from those photos and post it to the forum. They are not supposed to spend longer than two hours on a painting. Give it a try sometime! It’s great fun to see what so many different artists can do with the same set of images.

Hydrangea Sketch

10×10″, Gouache sketch of a hydrangea for a future painting, coming soon!

My husband adores these colors. I’ve prepared a panel with a lighter, scrubby, warm yellow background upon which I’ll paint the blue vase and violet flowers, as my second in this little series of floral works for Valentine’s Day.

Rose Sketch for a Future Painting

10×10″, Gouache in kraft paper sketchbook
Oil/acrylic painting of this sketch coming soon…Stay tuned!

I am having way too much fun with gouache sketches on this paper! I am thinking of ways to achieve this look with oils/acrylics on a more archival surface. I think I’m going to give it a whirl for tomorrow’s daily painting.

Edit: To see the final painting of this subject, click here.

Sunday Sketches

I’ve always wanted one of these sketchbooks with the heavy, brown kraft paper. I have a huge roll if it, which I tear off into 24×36″ sheets for figure drawing. I was in Borders yesterday and saw this one on a “discontinued” rack for 50% off. It was “now or never”! It’s a great size at 9-3/4″ square. That’s too large to keep in my purse, but a great size for small gouache paintings, charcoal and pencil drawings, with room to write on the same page too.

Unfortunately, I don’t think this paper is archival, but sometimes the freedom to create something on “junk” leads to something special, which can then be recreated in the studio using better materials. This neutral background gives a midtone against which one can bump lights and darks very effectively. This was just what I needed to get me back into my grove of the Saturday/Sunday Sketches. I even painted my little “Bluebird of Happiness” to show how thrilled I am with the new book!