Showing posts with label Multi-media. Show all posts
Showing posts with label Multi-media. Show all posts

Friday

Soup 'N Sketch --- an illustrated recipe


11x17", across a two-page spread in a Stillman & Birn 8.5x11" Epsilon hardbound sketchbook
Pentel Pocket Brush Pen
Waterbrush filled with J. Herbin Gris Nuage
Noodler's Bulletproof Black in an Eversharp Symphony (fine nib) Flex pen
Watercolor (added later)

I decided that last night was "no excuses" night for sketching, even if it was rushed, so while making chicken soup for dinner, I stopped between bouts of chopping and dicing to do this recipe page of my ingredients. I used a black Pentel Pocket Brush Pen, and a waterbrush filled with J. Herbin's Gris Nuage, and did the sketches in monochrome. My intention was to leave it as a black and white sketch, but the longer I looked at it, the more it screamed, "COLOR ME!!!" I fought bravely against the color junkie within me, but in the end, I couldn't resist. While the soup simmered, I added the watercolor splashes.

The soup came out great. It's almost more stew than soup, but that's how we like our chicken soup around here. We had some with dinner, and I put a huge container of it into the freezer for some cold day when I don't feel like cooking.

I'm really loving working these big spreads. There's so much space to draw, write and play with design, and leftover areas for it to all be able to breathe a bit too.

Wednesday

What if you were stranded somewhere without a sketchbook?



Here's a sketchbook that can be made on the fly with a single sheet of paper, no matter where you are! (You may have to pause the video if I'm flipping the pages too fast.) Instructions for making it are in Alisa Golden's book, Making Handmade Books. It's a little tricky to get the hang of it, but I made a few with scrap paper, and now I'm sure I can do it on the fly with whatever is at hand! A much larger book can be made by simply increasing the size of the sheet of paper. (This one was made with a piece of copy paper.)

Sunday

Breaking Out the Candles


I know I promised some comparisons of black inks, but I've faced some unforeseen circumstances with this snowstorm in the Northeastern US. The images of the results from those tests are on my desktop computer, so I'll have to wait until our house has power back before I can post them. We really got pounded!

I did the sketch above when I pulled out the candles today. You can click to read the text; it should enlarge enough to be fairly easy to read.

I test drove some new things in this sketch, like the new Noodler's #41 Brown (2012) that I reviewed the other day. In using it with watercolors, it didn't run at all on this Stillman & Birn Alpha paper, even though on the test I was able to get it to move a bit with hard scrubbing.

I also used one of my new Eversharp Symphony flex pens (this one with a B nib). After much practice by candlelight last night, I was finally able to better understand how to use these things. The title "Breaking Out the Candles" was written with that pen, using Noodler's Midnight ink.

I also have to say, this Stillman and Birn Alpha book totally rocks! I will give more of a full scale review once I've done some more work in it. Initially I thought the paper wasn't opaque enough for me, but today I realized the silver lining of that feature; I can slip a piece of lined paper behind the sketch to keep my writing straight! I'm also loving this 8.5x11" size. Usually I'm sketching out on location and don't want to bring along such a large book, but having that 11x17" space to spread out across two pages is a wonderful thing. It opens fairly flat, so it's quite easy to work across the gutter, which can be a challenge in some stitchbound/hardbound sketchbooks.

The journal writing on the page was done with Noodler's Kung Te-Cheng, one of my favorite writing inks, and it's completely waterproof to boot.

Wednesday

Have I Found My Ultimate Sketching Setup?


I've been test driving this new setup for a couple of days now, and it has solved many of my "too many things to hold" problems! Finally I can use my great Escoda travel brushes again, instead of just a waterbrush! It was impossible to hold the sketchbook, palette, water cup, sponge, and brush, all at the same time, but those difficult days are over. This very lightweight setup holds the book open for me as well as enabling me to hold everything on my lap or supported with one hand, leaving the other hand free for my brush.

Here's what you need to make this hold-everything, light-weight sketch board:



  • 9x16" piece of Coroplast (available at http://beacongraphics.com. Go to Sign Making Supplies --> Blanks and Banners --> Coroplast)
  • 5x8" to 6x9" stitch-bound sketchbook
  • A few strips of Velcro
  • Watercolor pan set
  • Plastic oil painter's palette cup or double cups
  • A few extra-large metal binder clips
  • small piece of sponge


Instructions:

  1. Cut a piece of Coroplast to 9x16", so that it will fit into your backpack. (If you've got one of those extra-tall backpacks, you can go to 9x18".)
  2. Open the sketchbook to the next available page, and clip the open book to the left side of the Coroplast. (If you're left-handed, clip the book to the right side.)
  3. Position the open watercolor pan set on the upper right, allowing it to extend past the Coroplast if necessary. (Upper left if you're left-handed.)
  4. Using Industrial Strength Velcro cut to size, fasten the palette to that spot on the Coroplast. I fastened mine both on the lid and on the bottom of the palette.
  5. Clip an oil painter's plastic palette cup onto the free bottom corner of the Coroplast. If you like separating clean and dirty water, you can use the double cups.
  6. If you have room left over, clip on a piece of sponge to wipe your brush.


That's it! The photo below shows the setup with a 5 1/2 x 8 1/2" Stillman & Birn sketchbook, which allows for a little more room to hold the other things than the 6x9" books.

Of course, this idea can be adapted and the size reconfigured for whatever your preferred sketchbook may be. It is also equally effective for gouache as it is for watercolor.

Monday

Eurasian Eagle Owl and Emu at Discovery Zoo


This two page spread features "Hoot", the Eurasian Eagle Owl, and "Freddy" the Emu. I never saw such huge feet on a bird as that emu has! I guess if you can run 31 mph, you need big feet to do it! This is my favorite border so far, done with red and gold acrylic paint. The birds were sketched with ink and wash, and some watercolor added after that for a bit of color. 

Sunday

Merlin the Chimp and the Peacock and Tortoise friends


The challenge of sketching the chimps was that they were in the shade and so dark that it was hard to distinguish features. They presented as large, dark masses, so that's how Merlin was sketched!

This peacock seemed to be best friends with Tonka, the African Spurred Tortoise. He was in a large, concrete enclosure, and although the peacock could come and go, he mostly stayed. He spread his feathers in exquisite display several times. (My friend Gretchen got a great sketch of that!) Tonka had a wonderfully sculpted shell, with interesting shapes and peaks. Next time I go back, I'd like to do a two page spread just on him.

Materials:
Chimp: 0.5 Preppy filled with Private Reserve Velvet Black and washed with a waterbrush
Peacock and Tortoise: Sakura Koi Watercolors and a Niji waterbrush
Sketchbook: Stillman & Birn Delta
Writing: 0.5 Preppy with Noodler's Purple Wampum

Saturday

Camels and Macaws at the Discovery Zoo


Camels seem to be in perpetual motion, so a portrait attempt was no easy feat. Not only do their heads move continually from side to side, but also from ground level to about nine feet in the air! I'd wait patiently, popping in a couple of lines each time he looked straight at me.

The pair of macaws was a riot. In spite of the fact that the zoo owner kept putting them up on their tree stand, their will proved stronger. With clipped wings, they waddled around wherever they pleased, occasionally flying up to a low perch. They were especially interested in watching me sketch the camels. One came over and literally sat by my feet almost the entire time, saying "Mama". I figured they were waiting for their turn to be sketched. I did a few quick watercolor gesture sketches of each of them. Here's a photo of one of them with the sketches:


Materials
Camel sketch: 0.5 Platinum Preppy fountain pen filled with Private Reserve Velvet Black, washed with a waterbrush
Macaws: Sakura Koi watercolors and waterbrush
Sketchbook: Stillman & Birn Delta
Borders: Golden Fluid Acrylics and F&W Acrylic Inks

Wednesday

Two More from the Bronx Zoo


Watercolor, painted across a two-page spread in a 6x8" Stillman & Birn Delta sketchbook. The pages were prepared in advance with diluted acrylic paint.

Tuesday

Giraffes from the Bronx Zoo


Watercolor and ink across a two-page spread in a Stillman & Birn Delta sketchbook. These were sketched at the Bronx Zoo, with the page borders prepared in advance using acrylic inks.

Giraffes are so graceful and fun to sketch. The Bronx Zoo has a nice habitat for them with a shady spot to sit and enjoy their company. While we were sketching them, a peacock came along from the habitat next to them, and they all started following the peacock in a long line, as if playing Follow the Leader.

Monday

Flamingos at the Bronx Zoo


Last week I went to the Bronx Zoo with a group of artists. What a great place for a sketching trip! I even took out a membership so that I can go back for free. There is a cafeteria called the Dancing Crane Cafe, which overlooks a pond with beautiful Flamingos. Here are two that were begging to be sketched.

I knew I'd be sketching on the run for the most part, so I prepared some sketchbook pages in advance. This two page spread was done with acrylic ink. I painted the borders with brown, then sprayed it with water while the ink was still wet, and blotted it with a paper towel to further texturize the surface.

This is a Stillman & Birn 6x8" Delta Series sketchbook. I've done several multi-media pages in it of this type, and it's handled all the abuse spectacularly well. It's very heavy paper with a heavy layer of sizing, and not too much texture, so my fountain pens seem to like it as well.

Tuesday

Review of the Nomadic Wise-Walker Messenger Bag


I have been dreaming of getting this Nomadic messenger bag for sketching materials ever since I saw it on the internet. The messenger bag I'd been using for sketching supplies was a bit larger than what I needed, and had a couple of serious drawbacks that the Nomadic bag addressed. My husband got it for me as a Mother's Day gift, and it is just perfect for my needs! I unpacked my old bag last night and loaded up the new one.


Here's the front of the bag. I selected the blue color, and it's a nice dark, neutral navy. It has a zippered pocket right on the front where you can keep identification, money, or anything you might need to get to quickly without having to open up the whole bag. As you can see, it easily stands upright, which is an important factor for me, since I keep lots of fountain pens inside it.


One thing this bag has that my other lacked is this wide, long shoulder pad. Since the strap adjusts from both sides, I finally have a bag that allows me to shorten the strap enough while keeping the shoulder pad centered. This is an excellent feature that more bags and straps should employ.


On each side, there is a mesh compartment for a water bottle. This particular bottle is oversized at 20 oz, yet still fits in there. A regular 16 oz. bottle would fit better. Not having to carry the water inside the bag is a great feature. It makes it much easier to take a sip while walking without having to open up the bag, or to pour extra water into a palette cup for painting. My old bag didn't have these water holders on the sides.

The bag is divided into two main sides. I set up one for sketching materials, and one for painting. Usually I do one and then the other, so it helps to have my materials organized this way. Here's a peek at the sketching side:


As you can see, there's room straight across the bag for loads of pens, pencils, waterbrushes and markers. A pocket in the front of that compartment can hold my sketchbook. There is another large pocket behind the pens that runs the length of the bag. I keep some tissues, erasers, a ruler, viewfinder, and other sketching supplies in there.


One really neat feature is these mesh pockets because they are translucent. I label all my pens so I can tell what ink is in which pen. I used to have to remove them from the pockets of my old messenger bag to read the labels and find the pen I needed, but now I can store them with the labels facing outward, and I can see what every color is! This is a huge advantage for me and a timesaver.

Turning the bag around and lifting the big flap, you can see into the main compartment of the bag:


If you carry a 9x12" spiral sketchbook, this is where you'll probably be keeping it, and it will fit easily. In front of that large, open area there is a zippered compartment where I keep my watercolor sets:


There are also pockets in front for brushes, waterbrushes, pens, and other supplies. You wouldn't believe how much this side of the bag can hold, even though the bag is not that large. I emptied out this  side to show you (below).


  • Viewfinder
  • Sunglasses
  • Reading glasses
  • Extra clips
  • Palette cup
  • Lots of waterbrushes and travel brushes
  • Correction fluid
  • Two watercolor sets
  • Hand wipes
  • Small sketchbook
  • Insect repellent
  • Sponges
  • Date stamp
  • Masking tape
  • 7x10 watercolor block
  • Drawing board
  • Tissues
  • Paper towels
  • Viewfinder
  • Small water bottle
  • Garbage bag
There's actually plenty of room left for my camera, binoculars, and sun visor. I don't necessarily carry this much when I go out sketching, but it's nice to know that it will all fit when I go off on a trip; then I can leave whatever I won't be needing in the car, or wherever I'm staying if I'm traveling. There are a few more compartments in this bag that I haven't detailed in this post because I'm not even using them yet! I'm sure that as I get out there and start painting and sketching with it, I'll reorganize it a bit and shift some of these items into those other pockets.

If you think you'd like a Nomadic Wise-Walker too, you can find them at Jetpens in black, blue or gray. You can see lots more photos of the bag there as well.